This easy-to-read modern tablature should be completely faithful to Anthoine Carre's original tablature. Let me know of any errors you find. Donald Sauter.

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Short ID:  AC53.
Title:     Air de Sarabande.
Composer:  Anthoine Carre.
Source:    Livre de pieces de guitarre et de musique.
           Page 53. 
Date:      ca. 1690?

Tuning:    Baroque guitar (A D G B E).
Time sig:  3. 

Fixes, modifications and comments (M=Measure; p=Place in measure; s=String): 
  None.

Comparison of Guitar 1 melody with the Treble part: 
  Pieces in this big suite have four parts: Guitar 1 and Guitar 2; and Treble 
  and Bass parts written in music notation.  The upper line of Guitar 1 
  and the Treble part are so consistently identical, that it seems they are 
  supposed to be identical.  IF you want the Guitar 1 melody to correspond 
  EXACTLY to the Treble part...
    DO NOT STRUM the 1st string in the following chords.  Write "." in the 
      tablature at: m1p1 m4p1 m16p1 m17p1.

Tablature elements to be added by hand:
  Slurs. If only a starting point is given, slur includes all the following 
  uninterrupted notes on the same string.
    M5 p1-2s1.

Strums: Arrowheads ^ and v indicate strums. Open strings in strummed chords 
  were not shown in the tablature; add as many open strings as sound good. 
  Take a moment to re-draw the ^ arrowhead right at the top of the associated 
  stem.

Explanation of symbols: 
  " = trill (starting on upper neighbor). 
  , = mordent (none in this piece).
  . = do not strum this string in the chord. 
  $ = petite reprise symbol. Repeat to the sign.  

Octave doublings: If you are playing on a modern, single-string guitar, 
  consider adding or substituting the next octave up almost everywhere 
  you see a 4th- or 5th-string note. 

Performance style: consider playing the 8th notes inegales, that is, as dotted 
  8ths or "swing" 8ths (triplet feel).

Leading measures in Carre's original tablature:
  1 7 13.  Last measure is 17.


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                               Air de Sarabande.                            AC53: Page 1 of 1.
  Baroque guitar (A D G B E).  Leading measures: 1 10.                         Anthoine Carre.

   ___     __    ^    ___     __  ^  __ ___  ___      ^  __           __             ___     __ 
   | |  |.  |  | | |  | |  |.  |  |.  | | |  | | | |  |.  |  |  |  |.  |  | | |      | |  |.  | 
___^____________________________________________________________________________________________
_______"0___1|_3_.__|___________|_______0_1|_3_1_0__|_5___6_"2|_3_"3___2|_3______||__3_1_"0___0|
___1_3_______|___1__|_3_1_"0___1|_1___3____|________|_2______3|_1_______|________||__0____2____|
_____________|___2__|______0____|_______0__|________|_2_______|_0_______|_0_____*||*___________|
___2_________|_2_3__|_0____0____|_2________|_2______|_2______0|____0____|_______*||*_2_________|
___3____0____|___3__|___________|_3________|_____3__|_4_______|_________|________||_______0____|
_____________|______|___________|__________|________|_________|_________|________||____________|

        ___     __  ___         ^        ^               ^              ^                       
 | | |  | |  |.  |  | |  | |  | | |  | | |   | | |       | | |          |                       
________________________________________________________________________________________________
_1_1__|_3_5_"3___1|_0___"0__|_1_3__|___0_1|_______|_1st_________||_3rd____||____________________
___3__|_5_________|___3_____|___1__|_3___3|_"3___1|_2nd__1______||_End__1_||____________________
______|_5____0____|_0_______|______|_0___2|__0____|_End________*||________||____________________
_0____|___________|______2__|_0_2__|___2__|_______|______2_____*||______2_||____________________
___2__|___________|_________|___3__|_2____|_______|______3______||______3_||____________________
______|___________|______$__|______|______|_______|_____________||________||____________________